ARRI AMIRA
A versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation.
Ready to pick up and shoot straight out of the camera bag, ARRI AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies, so wherever you are headed and whatever you need to shoot, let AMIRA be your companion.
Technical Data
| Sensor Type | 35mm format ARRI ALEV III CMOS (28.17×18.13) |
| Sensor Pixel Count | 3200×1800 (4K UHD, 3.2K) 2880 x 1620 (HD), 2868 x 1612 (2K), for monitoring with surround area: 3168 x 1772 (HD), 3154×1764 (2K), 3414 x 2198 (4K UHD, 3.2K) |
| Recording Pixel Count | 1920×1080 ProRes HD and HD outputs, 2048 x 1152 ProRes 2K, 3200×1800 ProRes 3.2K, 3840 x 2160 Pro Res 4K UHD and UHD outputs* |
| Lens Mounts | PL mount w/ Hirose connector and LDS, B4 mount w/ Hirose connector, EF mount, PL mount titan (ALEXA Mini) |
| Shutter | Electronic shutter, 5.0° to 356.0° |
| Exposure Index | EI 160 to EI 3200 (EI 800 base sensitivity) |
| Exposure Latitude | 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1) |
| Audio Recording | 4 channels, 24 bit PCM, 48 kHz |
| Integrated motorized ND Filters | FSND 0.6, 1.2, 2.1 |
| Sound Level | < 20 dB(A) |
| Weight | ~ 4.1 kg/9.2 lbs (camera body with PL Lens mount) |
| Dimensions | Length: 309mm/12.1″, width: 139 mm/5.4″ , height: 149mm/5.8″ (camera body with PL lens mount) |
| Environmental | -20° C to +50° C (-4° F to +122° F) |
| Viewfinder | ARRI AMIRA Multi Viewfinder MVF-1 (OLED and LCD) |
| Outputs Video | 2x HD-SDI outputs: 1.5G, 3G and 6G; uncompressed HD/UHD video with embedded audio and metadata*** |
| Outputs Audio | 3,5mm headphone jack, Bluetooth audio |
| Outputs Power | Hirose 12pin (for ENG type zoom lenses); 12V: D-tab, Hirose 4pin, Lemo 2pin; 24V: RS 3pin |
| Inputs | Genlock, HD-SDI**, Timecode (In and Output), all BNC |
| Other Interfaces | USB 2.0: For importing and storing AMIRA Look Files, user set up files, frame line files and feature license keys. Stores captured still image formats in DPX (.dpx, 10 bit) or JPEG (.jpg, 8 bit) format. Stores log files. Also used for installing Software Update Packets (SUPs.; Ethernet LAN RJ-45 for camera remote control. |
| Recording Media | CFast 2.0 memory cards |
| Recording Formats | HD 1920×1080 (interlaced & progressive), 2K 2048×1152, 3.2K ProRes 3200×1800* 4K UHD 3840×2160* |
| Recording Framerates | 0,75 – 200 Fps (progressive) HD, 2K 0,75 – 60 Fps 4K UHD & 3.2K* 0,75 – 120 Fps HD, 2K in ProRes 4444 XQ 0,75 – 30 Fps 4K UHD & 3.2K* in ProRes 4444 XQ MPEG-2: 23.98p, 25p, 29.97p, 50i, 59.94i |
| Recording Codecs (w/ embedded audio & metadata) | ProRes ProRes 4444 XQ ProRes 4444 422 HQ 422 422 LT MPEG-2 |
| Rec709/LogC | Rec709 & Log C |
| Looks | Complete Look functions; import Looks |
| Adjustable image parameters | Knee, Gamma, Saturation, Black Gamma, Saturation by Hue ASC CDL parameter (Slope, Offset, Power, Saturation) |
| Import of custom 3D LUTs | Import of custom 3D LUTs |
| Focus and exposure control | Peaking, Zebra, False color |
| Whitebalance | Auto WB, Dynamic auto tracking WB |
| Wifi and Ethernet Camera Remote Control | Wifi and Ethernet Camera remote control |
| Audio monitoring | Headphone output (mini jack)Headphone output (mini jack), Bluetooth audio monitoring |
| Pre Record function | Pre Record function |
| Intervalometer | Intervalometer |
| Multicam interface | Multicam interface |
| S16 lens mode | S16 lens mode |
| * Requires installed 4K UHD license ** not available in 4K UHD mode *** embedded audio only in 1.5G and 3G |
Rent the ARRI AMIRA today from Alan Gordon Enterprises! We have been serving the film community in Los Angeles for over 70 years. We rent, sell, and manufacture a wide variety of motion picture equipment, offering training and repair services as well. We are located in Hollywood at 5625 Melrose Ave, half a block west of Paramount Studios. For more information, email rental@alangordon.com or call (323) 466-3561.