Search Results for "Arri high"

Arri Ultra 16 T*XP 1.3 Lenses (PL Mount)

Focal Lengths: 6, 8, 9.5, 12 & 14mm High Speed – T1.3 for complete control over depth of field for shooting in low or available light for natural looking images […]

Rental > Lenses > 16 S16mm > Primes > Arri Ultra 16

Arri Ultra 16 T*XP 1.3 Lenses - LA Rental

Revar Cine 138mm Close-Up Diopter

Close Up Diopters enable you to get closer focus on large cinema lenses while maintaining edge sharpness and overall image performance. Perfect for anamorphic lenses which generally have an increased minimum focus, these large diopters allow you to reduce your minimum focus distance by as much as half. Made from the highest quality Schott BK7 glass, these diopters feature image performance beyond the finest comparable brands available with a broadband anti reflective coating to maintain your lenses original look. Compatible with all 138mm capable matte boxes and accessory trays including Arri LMB 138mm rear stages, Bright Tangerine ONE Tray, Cinemechanics, and others.

Product > Filters > Rota Pola > Revar Cine 138mm Close Up Diopter

Revar Cine 138mm Kaleidoscope-9

The 138mm Kaleidoscope-9 is a 9-surface Kaleidoscope filter. Made for professional cinematography, this filter creates a high resolution split image. The center is a 50mm clear flat surface. Any subject positioned in the center will be refracted and part of the image will show on the outer 8 surfaces. This filter is the thickness of a +3 Diopter and weighs nearly 2 lbs (1kg). We highly recommend the Atlas 138mm-114mm holder or the Vocas 5-Axis Diopter Holder for maximum creative control. Arri rear donut 138mm holders work as well.

Product > Filters > Rota Pola > Revar Cine 138mm Kaleidoscope 9

*SALE PENDING* Used Alexa XT Plus 4:3 Camera Package (S/N 8541)

In good condition.

 

Hours: 6681

Licenses: ARRIRAW, Opengate, 16:9, 4:3, High Speed

 

Card reader not included

 

cn1078

Product > Used > Cameras Used > Used Digital Cinema > Arri Digital > Used Alexa Xt Plus 43 Camera Package S N 8541

Used Alexa Classic Plus Camera Package S/N: 4180

  • In Good Working Condition
  • S/N: 4180
  • 6117 Hours
  • PL Mount

 

Licenses:

 

cn1078

Sales > Used > Cameras > Video > Arri Alexa Classic Plus 4180

*SALE PENDING* Used Alexa Plus 4:3 XR Upgraded S/N: 1097

Custom modified for XR media compatibility.

  • In Good Working Condition
  • S/N: 1097
  • 5833 Hours
  • PL Mount

Licenses Included:
– Anamorphic Desqueeze (1.3x, 2.0x)
– PreRecord
– Pro Res 4444 XQ
– Sensor Mode 16×9 @ 3.2K Resolution (30fps Max)
– Sensor Mode 4×3 @ 2K Resolution (48fps Max)
– ARRIRAW (16×9 – 60fps max, or 4×3 – 48fps max)
– High Speed @ 1080p – 120fps
NO Open Gate

cn1078

Sales > Used > Cameras > Video > Arri Alexa Plus 4x3 Xr Upgraded Sn1097

Revar Cine 138mm Circular Polarizer Pola+ for Matte Boxes

Features

  • Schott B270 glass
  • High transmission broad band anti-reflective coating
  • Premium polarization foil
  • Metal Mounting Ring for Matte Box use
  • NOT compatible with Revar Cine 4×5.65/138mm Rota-Tray

Compatibility

  • Bright Tangerine Misfit Atom Pola+
  • Bright Tangerine Clash138
  • Arri MB-14
  • Chrosziel 602
  • Any Matte Box with a 138mm filter tray

Manufactured & Distributed Exclusively by Alan Gordon Enterprises.

Sales > Filters > Revar Cine > 138mm Rota Pola

138mm Drop-in Polarizer

Zeiss T1.9 Ultra Primes (PL Mount)

Zeiss Ultra Primes have the widest focal range of prime lenses giving you the flexibility to get the coverage you want. The Ultra Prime lenses are lightweight standard speed lenses […]

Rental > Lenses > 35mm > Primes > Zeiss Ultra

Ultra Prime Set of 5 - LA Rental

Alan Gordon, the Zany King of the Plants

Alan Gordon, the Zany King of the Plants By Leslie Raddatz Talk about your flacks; this one even got himself on a cover When the roll of legendary Hollywood press […]

American Film: A Brief History

American Film: A Brief History Although several inventors from America, Britain, France and Germany were working on the idea of simultaneously, credit for the invention of the motion pictures camera […]