Arri Alexa Mini

Day Rate
$1195

Arri Alexa Mini - Los Angeles Rental
Arri Alexa Mini - LA RentalArri Alexa Mini - Los Angeles RentalArri Alexa Mini - LA RentalArri Alexa Mini - Los Angeles RentalArri Alexa Mini - LA RentalArri Alexa Mini - Hollywood RentalArri Alexa Mini - LA RentalArri Alexa Mini - Los Angeles Rental
Arri Alexa Mini - LA RentalArri Alexa Mini - Los Angeles RentalArri Alexa Mini - LA RentalArri Alexa Mini - Los Angeles RentalArri Alexa Mini - LA RentalArri Alexa Mini - Hollywood RentalArri Alexa Mini - LA RentalArri Alexa Mini - Los Angeles Rental

Product Highlights

What's included:

  • Arri Alexa Mini Body
  • Alexa Mini PL Mount
  • Alexa Mini EVF
  • (2) Cable, Alexa Mini EVF
  • Cable, Arri EXT to R/S
  • Cable, Alexa Mini Audio
  • Cable, Alexa Ethernet/RJ 45
  • (2) 256 GB CFast Cards
  • CFast Card Reader
  • Cable, 4pin XLR to Amira Power 6.5'
  • Cable, Alexa Mini EXT to EXT
  • Arri 15mm LWS Shoulder Pad
  • Tilta Powered Cage
  • Tilta Powered Handle
  • Battery Plate Adapter, Gold Mount
  • Tilta 15mm Studio Baseplate
  • (4) Gold Mount Batteries
  • Quad Charger

Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.

The ALEXA Mini can be operated in a number of ways: by wireless remote control, as a normal camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body. Light enough to be comfortably held at arm’s length in a hand rig, its compact size and extremely quiet operation also make it ideal for tight shooting conditions.

The symmetrical design permits filming in any orientation, including upside-down and in portrait mode, while multiple accessory points enable highly creative mounting solutions. In addition, the ALEXA Mini’s interchangeable lens mount can be replaced with any of those designed for the ARRI AMIRA, allowing the use of B4 video and EF mount stills lenses.


Rent the Arri Alexa Mini today from Alan Gordon Enterprises! We have been serving the film community in Los Angeles for over 70 years. We rent, sell, and manufacture a wide variety of motion picture equipment, and we offer training and repair services as well. We are located in Hollywood at 5625 Melrose Ave, half a block west from Paramount Studios. For more information, email rental@alangordon.com or call (323) 466-3561.

Product ALEXA Mini

 

Camera type 35 mm format film-style digital camera with lightweight and compact carbon body, switchable active sensor area, support for ARRI MVF-1 viewfinder, built-in remote control capabilities via ARRI Electronic Control System and Wi-Fi, support for cforce motors, built-in motorized ND filters, interchangeable lens mounts and ARRI Lens Data System as well as Lens Data Archive.

 

Dimensions Length: 185 mm/7.3"
Width: 125 mm/4.9"
Height: 140 mm/5.5"
(camera body with PL lens mount)

 

Weight ~ 2.3 kg/5 lbs (camera body with titanium PL lens mount)

 

Sensor 35 mm format ARRI ALEV III CMOS with Bayer pattern color filter array

 

Active photo sites
(with surround view)
S16 HD: 1600 x 900 (1760 x 980)
HD: 2880 x 1620 (3168 x 1772)
2K: 2868 x 1612 (3154 x 1764)
3.2K: 3200 x 1800 (3424 x 1926)
4K UHD: 3200 x 1800 (3424 x 1926)
4:3 2.8K: 2880 x 2160 (3168 x 2160)
2.39:1 2K Ana.: 2560 x 2145 (3424 x 2202)
HD Ana.: 1920 x 2160 (3424 x 2202)
Open Gate 3.4K: 3424 x 2202 (3424 x 2202)

 

Shutter Electronic shutter, 5.0° to 356.0°

 

Exposure latitude 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)

 

Exposure index EI 800 base sensitivity

 

Filters Built-in motorized ND filters 0.6, 1.2, 2.1

 

Lens mounts Titanium PL mount with L-Bus connector and LDS
EF mount
PL mount with Hirose connector and LDS
B4 mount with Hirose connector(A)

 

Recording media CFast 2.0 memory cards

 

Recording formats ProRes:
S16 HD: 1920 x 1080 (up-sampled from 1600 x 900)
HD: 1920 x 1080
2K Cine 16:9: 2048 x 1152
3.2K: 3200 x 1800
4K UHD: 3840 x 2160 (up-sampled from 3.2K)
4:3 2.8K: 2880 x 2160 (padded to 2944 x 2160)

Anamorphic ProRes formats with 2x in-camera de-squeeze:
HD Anamorphic: 1920 x 1080*
2.39:1 2K Anamorphic: 2048 x 858*

MXF/ARRIRAW (in-camera recording to MXF-wrapped ARRIRAW files):
2.8K 16:9: 2880 x 1620**
Open Gate: 3424 x 2202***

MXF/ARRIRAW Open Gate modes with active image area matching 4:3 ProRes modes:
4:3 2.8K (OG 3.4K): 2880 x 2160 (Recording in Open Gate 3.4K)***
2.39:1 Ana. (OG 3.4K): 2560 x 2145 (Recording in Open Gate 3.4K)***
16:9 HD Ana. (OG 3.4K): 1920 x 2160 (Recording in Open Gate 3.4K)***

*) requires ALEXA Mini 4:3 License Key,
**) requires ALEXA Mini ARRIRAW License Key,
***) requires both ALEXA Mini 4:3 and ARRIRAW Licenses Keys

 

Recording codec ProRes 4444XQ, 4444, 422 (HQ), 422, 422(LT), MXF/ARRIRAW

 

Recording frame rates 16:9
ProRes HD 0.75 - 200 fps
ProRes S16 HD 0.75 - 200 fps
ProRes 2K 0.75 - 200 fps
ProRes 3.2K 0.75 - 60 fps
ProRes UHD 0.75 - 60 fps
MFX/ARRIRAW 16:9 2.8K 0.75 - 48 fps

4:3
ProRes 4:3 2.8K 0.75 - 50 fps

6:5*
ProRes 2:39:1 2K Ana. 0.75 - 120 fps

8:9**
ProRes HD Ana. 0.75 - 120 fps

Open Gate
MFX/ARRIRAW 3.4K Open Gate 0.75 - 30 fps* 4:3 cropped
** Center crop from anamorphic
(1) Minimum frame rate is always 0.75 fps
(2) The „recording resolution“ determines the number of horizontal pixels that will be recorded (the number of vertical pixels is dependent on the recording file type and sensor mode) Click here for a detailed table of frame rates

 

Color output Rec 709, custom look or Log C

 

Look control Import of custom 3D LUT, ASC CDL parameter (slope, offset, power, saturation)

 

Adjustable image parameters Knee, gamma, saturation, black gamma, saturation by hue

 

Focus and exposure control Peaking, zebra, false color, waveform

 

White balance Manual and auto white balance

 

Sound level < 20 dB(A) at standard frame rates

 

Environmental '-20° C to +45° C (-4° F to +113° F) @ 95% humidity max, non-condensing splash and dust-proof through sealed electronics

 

Viewfinder Multi Viewfinder MVF-1 (OLED and LCD) with flip-out LCD screen and military-grade connector to camera Camera Control Panel (CCP-1) LCD control panel with option to daisy-chain MVF-1

 

Control interface Soft buttons and OSD on SDI output, integration of Transvideo Starlite HD5-ARRI touch interface WCU-4 hand-unit with control over operational parameters.

 

ARRI lens motor control Built-in white coded radio interface for ARRI lens and camera remote control LBUS motor output for daisy-chainable cforce lens control motors Lens Data Archive

 

Wi-Fi remote control Built-in Wi-Fi interface and web-based remote control from phones, tablets and laptops

 

Custom control Optional GPIO interface for integration with custom control interfaces

 

Power input Lemo 8-pin, 10.5-34 V DC

 

Video outputs 2x HD-SDI out 1.5G and 3G: uncompressed HD video with embedded audio and metadata, 6G SDI in UHD and 3.2K recording modes.

 

Inputs SDI-Genlock (optional activation through ARRI Service), Timecode (in and output)

 

Other interfaces USB 2.0 (for user sets, looks etc.)
Ethernet for service and web remote control
EXT accessory interface w. RS pin and unregulated power output (outputs battery voltage)