Arri Alexa Mini LF

Day Rate
$2500

Arri Alexa Mini LF Camera for Rent LA
Arri Alexa Mini LF Operator's Side - LA RentalArri Alexa Mini LF Front View - LA RentalArri Alexa Mini LF - Assistant's Side Los Angeles RentalArri Alexa Mini LF Rear Ports and Battery Plate
Arri Alexa Mini LF Camera for Rent LAArri Alexa Mini LF Operator's Side - LA RentalArri Alexa Mini LF Front View - LA RentalArri Alexa Mini LF - Assistant's Side Los Angeles RentalArri Alexa Mini LF Rear Ports and Battery Plate

Product Highlights

Used to film acclaimed movies and shows such as 1917 and The Mandalorian, the Arri Alexa Mini LF fuses the power of the Alexa LF with the compact, lightweight body of the Alexa Mini. The Mini LF contains the same full-frame sensor as the Alexa LF with all the same recording sizes and formats. It is compatible with both 35mm and full-frame LPL and PL mount lenses. See Technical Specifications below for more details.

Our Arri Alexa Mini LF rental package includes:

  • Alexa Mini LF Camera Body
  • Alexa LPL Mount Alexa
  • Arri PL to LPL Adapter
  • Cable VF (0.35m)
  • Cable VF (0.5m)
  • MVB-1 Mini Viewfinder Bracket
  • Arri Cage Assembly w/ Handle
  • Arri/Bebob Breakout Box w/ Gold Mount
  • Power Cable Straight 2m
  • (3x) 1 TB Codex Compact Drives
  • Codex Compact Drive Reader
  • 19mm Compact Bridge Plate System
  • Arri 12″ Dovetail Plate
Sensor Type Large Format ARRI ALEV III (A2X) CMOS sensor with Bayer pattern color filter array
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Sensor Maximum Resolution and Size 4449 x 3096
36.70 x 25.54 mm / 1.444 x 1.005"
⌀ 44.71 mm / 1.760"
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Sensor Frame Rates 0.75 - 90 fps
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Weight ∼2.6 kg / ∼5.7 lbs
(camera body with LPL lens mount)
801 g (MVF-2)
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Photosite Pitch 8.25 μm
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Sensor Active Image Area (photosites) LF Open Gate ProRes 4.5K: 4448 x 3097
LF Open Gate ARRIRAW 4.5K: 4448 x 3097
LF 16:9 ProRes HD: 3840 x 2161
LF 16:9 ProRes 2K: 3840 x 2161
LF 16:9 ProRes UHD: 3840 x 2161
LF 16:9 ARRIRAW UHD: 3840 x 2161
LF 2.39:1 ProRes 4.5K: 4448 x 1857
LF 2.39:1 ARRIRAW 4.5K: 4448 x 1857
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Sensor Active Image Area (dimensions) LF Open Gate ProRes 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006"
LF Open Gate ARRIRAW 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006"
LF 16:9 ProRes HD: 31.68 x 17.82 mm / 1.247 x 0.702"
LF 16:9 ProRes 2K: 31.68 x 17.82 mm / 1.247 x 0.702"
LF 16:9 ProRes UHD: 31.68 x 17.82 mm / 1.247 x 0.702"
LF 16:9 ARRIRAW UHD: 31.68 x 17.82 mm / 1.247 x 0.702"
LF 2.39:1 ProRes 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603"
LF 2.39:1 ARRIRAW 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603"
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Recording File Container Size (pixel) LF Open Gate ProRes 4.5K: 4480 x 3097
LF Open Gate ARRIRAW 4.5K: 4448 x 3097
LF 16:9 ProRes HD: 1920 x 1081
LF 16:9 ProRes 2K: 2048 x 1153
LF 16:9 ProRes UHD: 3840 x 2161
LF 16:9 ARRIRAW UHD: 3840 x 2161
LF 2.39:1 ProRes 4.5K: 4480 x 1857
LF 2.39:1 ARRIRAW 4.5K: 4448 x 1857
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Recording File Image Content (pixel) LF Open Gate ProRes 4.5K: 4448 x 3097
LF Open Gate ARRIRAW 4.5K: 4448 x 3097
LF 16:9 ProRes HD: 1920 x 1081
LF 16:9 ProRes 2K: 2048 x 1153
LF 16:9 ProRes UHD: 3840 x 2161
LF 16:9 ARRIRAW UHD: 3840 x 2161
LF 2.39:1 ProRes 4.5K: 4448 x 1857
LF 2.39:1 ARRIRAW 4.5K: 4448 x 1857
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Exposure Latitude 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
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Exposure Index Adjustable from EI 160-3200 in 1/3 stops
EI 800 base sensitivity
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Shutter Electronic shutter, 5.0°- 356° or 1s - 1/8000s
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Recording Formats MXF/ARRIRAW
MXF/Apple ProRes 4444 XQ
MXF/Apple ProRes 4445
MXF/Apple ProRes 422 HQ
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Recording Media Codex Compact Drives
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Recording Frame Rates LF Open Gate ProRes 4.5K: 0.75 - 40 fps
LF Open Gate ARRIRAW 4.5K: 0.75 - 40 fps
LF 16:9 ProRes HD: 0.75 - 90 fps
LF 16:9 ProRes 2K: 0.75 - 90 fps
LF 16:9 ProRes UHD: 0.75 - 60 fps
LF 16:9 ARRIRAW UHD: 0.75 - 60 fps
LF 2.39:1 ProRes 4.5K: 0.75 - 60 fps
LF 2.39:1 ARRIRAW 4.5K: 0.75 - 60 fps
Note: maximum fps values are preliminary information
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Recording Modes Standard real-time recording
No Pre-recording
No Intervalometer
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Viewfinder Type Multi Viewfinder MVF-2 with 4" flip-out monitor
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Viewfinder Technology OLED viewfinder display
LCD fold out monitor
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Viewfinder Resolution (pixel) 1921 x 1080
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Viewfinder Diopter Adjustable from -5 to +5 diopters
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Color Output Rec 710
Rec 2021
Log C
Custom Look (ARRI Look File ALF-2)
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Look Control Import of custom 3D LUT
ASC CDL parameters (slope, offset, power, saturation)
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White Balance Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps
Color correction adjustable range from -16 to +16 CC
2 CC corresponds to 035 Kodak CC values or 1/8 Rosco values
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Filters Built-in motorized ND filters 0.6, 1.2, 1.9
Fixed optical low pass, UV, IR filter
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Image Outputs 1x proprietary signal output for MVF-2 viewfinder on VF CoaXPress connector (video, audio, power, control signals)
SDI 1:
-HD only, Processed or Clean, with or without a look file applied
-1.5G 422 HD (SMPTE ST292-1, up to 30 fps, progessive (p) or progressive segmented frame (psf))
-3G 422 HD (SMPTE ST425-1, up to 60 fps, p)
-3G 444 HD (SMPTE ST425-3, up to 30 fps, p)
SDI 2:
-HD or UHD, Clean only, with or without a look file applied, or SDI 1 clone
-1.5G 422 HD (SMPTE ST292-1, up to 30 fps, p or psf)
-3G 422 HD (SMPTE ST425-1, up to 60 fps, p)
-3G 444 HD (SMPTE ST425-3, up to 30 fps, p)
-6G 422 UHD (SMPTE ST2081-10, up to 30 fps, p)

“Clean” is an image without surround view or overlays (status, false color, zebra, framelines, etc.)
“Processed” is an image with surround view or overlays.

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Lens Squeeze Factors 1.00
1.25
1.30
1.50
1.65
1.80
2.00
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Exposure and Focus Tools False Color
Zebra
Zoom
Aperture and Color Peaking
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Audio Input 1x LEMO 6pin balanced stereo line in with 12V power output
(Line input max. level +24dBu correlating to 0dBFS)
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Audio Output SDI (embedded)
3,5mm stereo headphone jack (on MVF-2)
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Audio Recording 3 channel linear PCM, 24 bit 48 kHz
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Remote Control Options MVF-2 viewfinder can act as wired remote control with 10m/33ft cable
Web-based remote control from smart phones, tablets and laptops via WiFi & Ethernet (beta version)
Camera Access Protocol (CAP) via Ethernet & WiFi
GPIO interface for integration with custom control interfaces
WCU-4 hand-unit with control over lens motors and operational parameters via built-in white radio
SXU-1 hand-unit with control over one lens channel
OCU-1 and Master Grip control of lens and user buttons
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Interfaces 1x LEMO 5pin LTC Timecode In/Out
1x LEMO 10pin Ethernet for remote control and service
1x BNC SYNC IN
1x LEMO 7pin EXT multi purpose accessory interface w. RS pin and 24V power output
1x LEMO 4pin LBUS (on lens mount) for lens motors, daisy chainable
1x USB 2.0 in media bay (for user setups, look files etc)
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Wireless Interfaces Built-in WiFi module (IEEE 802.11b/g)
Built-in White Radio for ARRI lens and camera remote control
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Lens Mounts LPL lens mount with LBUS connector
PL-to-LPL adapter
Leitz M mount (availbale from Leitz)
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Flange Focal Depth LPL mount: 44 mm
with PL-to-LPL adapter: 52 mm
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Power Input 1x LEMO 8pin (11-34 V DC)
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Power Consumption Around 65 W when recording ARRIRAW at 24 fps with MVF-2 attached (preliminary information)
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Power Outputs 1x Fischer 3pin 24V RS
1x LEMO 2pin 12V
1x LEMO 7pin EXT 24V power output
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Power Management -
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Measurements (HxWxL) 141 x 143 x 188 mm / 5.5 x 5.6 x 7.4"
(camera body with LPL lens mount)
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Operating Temperature -20° C to +45° C / -4° F to +113° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics
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Storage Temperature -30° C to +70° C / -22° F to +158° F
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Sound Level < 20 dB(A) at 24fps
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Software Licenses -